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MACKEY’S WORLD: AN ANALYSIS OF “TROUBADOUR SONGS” AND “THREE MOMENTS” FOR LARGE CHAMBER ENSEMBLE

Summers, Alec (2014) MACKEY’S WORLD: AN ANALYSIS OF “TROUBADOUR SONGS” AND “THREE MOMENTS” FOR LARGE CHAMBER ENSEMBLE. Doctoral Dissertation, University of Pittsburgh. (Unpublished)

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Abstract

The first component of this dissertation provides an analysis of Steven Mackey’s Troubadour Songs (1992), a work for electric guitar and string quartet. My primary aim is to provide the first, substantive theoretical analysis of one of his important works. Troubadour Songs is a good example of Mackey’s compositional style – rich with complexity and nuance, yet playful and exploratory. My analysis focuses on three areas of the work: formal structure and motivic development; pitch, tuning, and harmony; and the role of binary relationships in the piece. The latter discusses how dichotomies define many elements in Troubadour Songs, including rhythm, instrumentation, and the interaction of art and popular music. In addition, I propose that the entire structure of the work can be seen through the lens of a binary relationship, from the smallest, fundamental motive to the large-scale structure of the piece.
The composition component of this dissertation is an original work entitled Three Moments. It is written for 11 instruments, and deals with gradual motivic growth and variation. Compositional materials are restricted by instrumental families, and the interaction between them helps to define the piece’s development. In addition, Three Moments explores the balance between complexity and simplicity throughout the three sections of the piece.


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Details

Item Type: University of Pittsburgh ETD
Status: Unpublished
Creators/Authors:
CreatorsEmailPitt UsernameORCID
Summers, Alecajrsummers@gmail.com
ETD Committee:
TitleMemberEmail AddressPitt UsernameORCID
Committee ChairWilliams, Amyamywill@pitt.eduAMYWILL
Committee MemberMoe, Ericemoe@pitt.eduEMOE
Committee MemberRosenblum, Mathewrosenblu@pitt.eduROSENBLU
Committee MemberFallon, Robertrfallon@cmu.edu
Date: 3 February 2014
Date Type: Publication
Defense Date: 2 December 2013
Approval Date: 3 February 2014
Submission Date: 23 November 2013
Access Restriction: No restriction; Release the ETD for access worldwide immediately.
Number of Pages: 138
Institution: University of Pittsburgh
Schools and Programs: Dietrich School of Arts and Sciences > Music
Degree: PhD - Doctor of Philosophy
Thesis Type: Doctoral Dissertation
Refereed: Yes
Uncontrolled Keywords: Twentieth Century, Popular and Classical Music, Mackey, Steven, Three Scenes, Binary relationships in Music
Date Deposited: 03 Feb 2014 16:54
Last Modified: 15 Nov 2016 14:15
URI: http://d-scholarship.pitt.edu/id/eprint/19986

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