Link to the University of Pittsburgh Homepage
Link to the University Library System Homepage Link to the Contact Us Form

Media Arts Centers as Alternative Archival Spaces: Investigating the Development of Archival Practices in Non-Profit Media Organizations

Mattock, Lindsay K (2014) Media Arts Centers as Alternative Archival Spaces: Investigating the Development of Archival Practices in Non-Profit Media Organizations. Doctoral Dissertation, University of Pittsburgh. (Unpublished)

[img]
Preview
PDF (L K Mattock Dissertation)
Primary Text

Download (2MB) | Preview

Abstract

In the United States, archival institutions have prioritized the preservation of commercial and Hollywood cinema overlooking small-scale media production by non-professionals and independent media artists. Media arts centers, however, have played a pivotal role in the continued access, use, and preservation of materials produced by the communities that they serve. These non-profit media collectives were imagined as a distributed network of organizations supporting the production, exhibition and study of media; serving as information centers about media resources; and supporting regional preservation efforts. However, media arts centers have remained over-looked and unexplored by the archival field. This dissertation seeks to shift this balance, including these artist-run organizations as part of the network of archives and collecting institutions preserving independent media.
Using case study methodologies this study investigated the practices at three media arts centers, Pittsburgh Filmmakers, Paper Tiger Television, and the Termite Television Collective, seeking to understand the role of these organizations in the collection and preservation of independent media and the development of archival practices in non-profit media organizations. The study places each of these organizations in the wider history of media arts center movement in the United States and looks broadly at the development of archives and archival practices within these organizations. Framing media arts centers as maker-spaces and archival spaces, this dissertation argues for a critique of professional archival practices and a redefinition of the standards for preservation of audiovisual materials.


Share

Citation/Export:
Social Networking:
Share |

Details

Item Type: University of Pittsburgh ETD
Status: Unpublished
Creators/Authors:
CreatorsEmailPitt UsernameORCID
Mattock, Lindsay Klindsay-mattock@uiowa.edu
ETD Committee:
TitleMemberEmail AddressPitt UsernameORCID
Committee ChairCox, Richard Jrcox@sis.pitt.eduRJCOX
Committee MemberCorrall, Sheilascorrall@sis.pitt.eduSCORRALL
Committee MemberBeaton, Brianbbeaton@pitt.eduBBEATON
Committee MemberVee, Annetteadv17@pitt.eduADV17
Date: 29 August 2014
Date Type: Publication
Defense Date: 10 June 2014
Approval Date: 29 August 2014
Submission Date: 6 August 2014
Access Restriction: No restriction; Release the ETD for access worldwide immediately.
Number of Pages: 234
Institution: University of Pittsburgh
Schools and Programs: School of Information Sciences > Library and Information Science
Degree: PhD - Doctor of Philosophy
Thesis Type: Doctoral Dissertation
Refereed: Yes
Uncontrolled Keywords: Library Science
Date Deposited: 29 Aug 2014 19:27
Last Modified: 22 Apr 2024 19:05
URI: http://d-scholarship.pitt.edu/id/eprint/22859

Metrics

Monthly Views for the past 3 years

Plum Analytics


Actions (login required)

View Item View Item