Link to the University of Pittsburgh Homepage
Link to the University Library System Homepage Link to the Contact Us Form

DISORIENTATION: NATIONAL IDENTITY IN FRENCH CULTURAL PRODUCTIONS OF THE LATE TWENTIETH AND EARLY TWENTY-FIRST CENTURIES

Moriarty, Kathleen (2018) DISORIENTATION: NATIONAL IDENTITY IN FRENCH CULTURAL PRODUCTIONS OF THE LATE TWENTIETH AND EARLY TWENTY-FIRST CENTURIES. Doctoral Dissertation, University of Pittsburgh. (Unpublished)

[img]
Preview
PDF
Download (1MB) | Preview

Abstract

This dissertation employs a selection of French cultural productions between 1986 and 2010 to analyse the divide between nationally promoted and personally experienced versions of French
national identity. In line with the rapidly shifting demographics of the French population, this work advocates for a new paradigm for the study of French national identity. I adapt Sara Ahmed’s use of the term disorientation in queer theory to foreground national identity as an
orientation not dissimilar to sexual orientation wherein persons living counter to normative expressions of Frenchness inevitably stand out from the crowd. The corpus reveals, however, that non-normative representations of French identity never completely disengage from French subjectivity. The underlying backgrounds or orientations that permeate society assume Frenchness as a fixed and common set of beliefs, desires, mannerisms, origins, and expectations.
The cultural productions of my study highlight the individual and familial deviations, which promote Frenchness as incredibly diverse and arduous to define. I examine examples of disoriented French identity through three main areas of inquiry: the cultural valuation of objects of national importance, international tourism, and the mother-child relationship. These three seemingly disparate topics together show France in its contemporary state as reimagined and distinct from the national narrative promoted by the nation-state.


Share

Citation/Export:
Social Networking:
Share |

Details

Item Type: University of Pittsburgh ETD
Status: Unpublished
Creators/Authors:
CreatorsEmailPitt UsernameORCID
Moriarty, Kathleenkemoriarty@gmail.comkem249
ETD Committee:
TitleMemberEmail AddressPitt UsernameORCID
Committee MemberDOSHI, NEILDOSHI@PITT.EDUDOSHI
Committee MemberHALLE, RANDALLHALLE@PITT.EDUHALLE
Committee MemberINSANA, LINAINSANA@PITT.EDUINSANA
Committee MemberMECCHIA, GIUSEPPINAMECCHIA@PITT.EDUMECCHIA
Committee ChairREESER, TODD W.REESER@PITT.EDUREESER
Date: 21 October 2018
Date Type: Publication
Defense Date: 17 April 2018
Approval Date: 21 October 2018
Submission Date: 2 October 2018
Access Restriction: No restriction; Release the ETD for access worldwide immediately.
Number of Pages: 323
Institution: University of Pittsburgh
Schools and Programs: Dietrich School of Arts and Sciences > French
Degree: PhD - Doctor of Philosophy
Thesis Type: Doctoral Dissertation
Refereed: Yes
Uncontrolled Keywords: disorientation, nation, France, Bouraoui, Houellebecq, Varda, Darrieussecq, Sara Ahmed, motherhood, maternity, tourism, Musee d'Orsay, national identity
Date Deposited: 22 Oct 2018 03:17
Last Modified: 22 Oct 2018 03:17
URI: http://d-scholarship.pitt.edu/id/eprint/35375

Metrics

Monthly Views for the past 3 years

Plum Analytics


Actions (login required)

View Item View Item