Hobeika, Marie-Odile N.
(2016)
Recovered Beginnings: Rhetoric's Disaffiliation from Homer.
Doctoral Dissertation, University of Pittsburgh.
(Unpublished)
Abstract
This dissertation presents a history of rhetoric in relation to Homer’s poetry, as well as the beginning of a theoretical account of the rhetorical life of poiesis. Rather than recount the Socratic counter-claims on Sophistical teachings, this dissertation recovers classical theories of rhetoric as they demonstrate techniques of extrication from Homeric epos, the source of poetic institutions of classical Greek life.
If Homer is understood, not as a poet, but as an uninterrupted afterlife in the imaginations of rhetors, then the material of this dissertation is a grammar of attitudes that rhetors had about what they imagined to be ‘Homer’. In the first chapter I attribute the continuity of Homer’s afterlife (nachleben) to traditional and democratic forums of education, where Homer’s poetry was seminal. In the second chapter, I enter into Plato’s exile of Homer in Republic as a disaffiliation from father Homer mirroring rhetoric’s extrication from the decay of patrilineal culture. In the third, I argue that Aristotle’s imaginary associations of Homer as stranger (xenos) indicate that the philosopher never settled a difference of kind between rhetoric and poetry in the Rhetoric. Though he loved epic dignity, he also feared the strangeness of Homeric style, paradoxically teaching young rhetors to disambiguate epical arrangements in speech. In the fourth chapter on Longinus’ Sublime, I read his emulation of Homer as a para-religious move that sought to resurrect faith in the republic of letters at a time when eloquence had evidently reached its dearth. In the fifth and final chapter, I argue that the Homeric afterlife in rhetoric continues on today, as contemporary scholars carry the conceit that rhetoric was a more advanced technological form than poetry.
Treating developmentalist conceits as symptoms of change rather than inherent truisms has two implications. First, it shifts the object of study of re-covered beginnings away from formal arts, either epic poetry, or rhetoric individually; to the modes of extraction affecting the treatment of those arts as autonomous. Second, it contributes to contemporary scholarship a sequence of modes (disaffiliation, disambiguation, and emulation) in the light of which other cultural formations may be considered going forward.
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Details
Item Type: |
University of Pittsburgh ETD
|
Status: |
Unpublished |
Creators/Authors: |
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ETD Committee: |
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Date: |
29 September 2016 |
Date Type: |
Publication |
Defense Date: |
2 May 2016 |
Approval Date: |
29 September 2016 |
Submission Date: |
28 July 2016 |
Access Restriction: |
5 year -- Restrict access to University of Pittsburgh for a period of 5 years. |
Number of Pages: |
187 |
Institution: |
University of Pittsburgh |
Schools and Programs: |
Dietrich School of Arts and Sciences > Communication: Rhetoric and Communication |
Degree: |
PhD - Doctor of Philosophy |
Thesis Type: |
Doctoral Dissertation |
Refereed: |
Yes |
Uncontrolled Keywords: |
Homer, poetry, rhetoric, disaffiliation, disambiguation, zeal |
Date Deposited: |
30 Sep 2016 01:56 |
Last Modified: |
29 Sep 2021 05:15 |
URI: |
http://d-scholarship.pitt.edu/id/eprint/29003 |
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