London, Alan E.
(2021)
"My Own Place, May Own Name" Figuration, Abstraction and the Tragic in the Art of Stephen Greene.
Doctoral Dissertation, University of Pittsburgh.
(Unpublished)
Abstract
This monographic study of the work of the American artist and teacher Stephen Greene (1917-1999) establishes his place within the mid-20th Century art world conflict between the adherents of figuration and abstraction, respectively, reflected in, among other sources, the 1953 publication of the artists’ journal Reality. Over the decade from 1953 to 1963, Greene, who considered himself a “tragic” painter, transformed his art from representational to abstract, while resisting throughout those years and for the rest of his life any identification with either school. Using evidence drawn from critical reaction, artistic influences, visual analysis and Greene’s own writings, the dissertation charts the course of Greene’s artistic development and argues both that the seeds of abstraction were present even in the earliest work and that elements of symbolic figuration enlivened even the latest.
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Details
Item Type: |
University of Pittsburgh ETD
|
Status: |
Unpublished |
Creators/Authors: |
|
ETD Committee: |
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Date: |
3 May 2021 |
Date Type: |
Publication |
Defense Date: |
March 2021 |
Approval Date: |
3 May 2021 |
Submission Date: |
23 February 2021 |
Access Restriction: |
1 year -- Restrict access to University of Pittsburgh for a period of 1 year. |
Number of Pages: |
470 |
Institution: |
University of Pittsburgh |
Schools and Programs: |
Dietrich School of Arts and Sciences > History of Art and Architecture |
Degree: |
PhD - Doctor of Philosophy |
Thesis Type: |
Doctoral Dissertation |
Refereed: |
Yes |
Uncontrolled Keywords: |
Stephen Greene |
Date Deposited: |
03 May 2021 15:05 |
Last Modified: |
03 May 2022 05:15 |
URI: |
http://d-scholarship.pitt.edu/id/eprint/40284 |
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