ETD

"Walking with our Ancestors": Music and Constructions of Irish-American Identities at Civil War Re-enactments

Public Deposited
Analytics

79 pages

Title
  • "Walking with our Ancestors": Music and Constructions of Irish-American Identities at Civil War Re-enactments
Date modified
  • 08/13/2025
Creator
Abstract
  • Civil War re-enactors are individuals so inspired by the events of the American Civil War that they don period costume to act out battles or serve in an encampment in a civilian wartime role. Re-enactments allow participants to listen to or participate in the music associated with the war, both the ballad traditions sung around the campfire and the brass regimental band repertoire. These re-enactors “experience” war and its associated music, while simultaneously using music to share their knowledge of the war. Since Ireland’s economic boom in the 1990s, identifying as Irish has become popular on an international scale, inspiring recent musical re-enactors to portray the Irish-American experience during the Civil War. Many of these musical re-enactors derive a sense of satisfaction at both experiencing and sharing a story of Irish-Americans at a critical point in United States history. Before 1861, the dominant Anglo-Protestant population regarded the Irish-American working class as a lesser ethnic group, characterized by stereotypical traits of laziness and alcoholism, but the years following 1865 saw positive changes for this image. Musical media presented the concept of a male Irish-American citizen loyal to the country that he fought to hold together, in the hope that he might eventually become a respected citizen. Music helped many Irish-Americans to become a part of the nation that had previously viewed the group as a threat, to become assimilated not only into a higher class but also into a white race. Many re-enactors view music as particularly relevant to sharing an Irish-American experience, in part because of the longstanding concept of musicality as an identifier of Irishness and a belief in the significance of music to a Civil War experience. This study traces the ways in which the Civil War re-enactment community and the community of those who identify as Irish-American came to view music as an authenticating process, a means of conveying stylistic traits that help to define their communities. It then traces how these processes overlap in the production of an Irish-American Civil War heritage, constructing an interpretation of the past through musical performance.
Administrative Note
Date created
Identifier
Keyword
Language
Resource type
Degree discipline
  • Music
Degree grantor
  • University of Pittsburgh
Degree level
  • Masters
Degree name
  • Master of Arts
Rights statement

MLA citation style (9th ed.)

Myers, Kaitlyn. "walking with Our Ancestors": Music and Constructions of Irish-american Identities At Civil War Re-enactments. . 2013. d-scholarship.pitt.edu/concern/etds/ae94894a-3c0c-4d82-89bd-9d31b31d8d86.

APA citation style (7th ed.)

M. Kaitlyn. (2013). "Walking with our Ancestors": Music and Constructions of Irish-American Identities at Civil War Re-enactments. https://d-scholarship.pitt.edu/concern/etds/ae94894a-3c0c-4d82-89bd-9d31b31d8d86

Chicago citation style (CMOS 17, author-date)

Myers, Kaitlyn. "walking with Our Ancestors": Music and Constructions of Irish-American Identities At Civil War Re-Enactments. 2013. https://d-scholarship.pitt.edu/concern/etds/ae94894a-3c0c-4d82-89bd-9d31b31d8d86.

Note: These citations are programmatically generated and may be incomplete.

In Collection:
Thumbnail Title Date Uploaded Visibility Actions
18489_KEM_MA_THESIS_May1__FINAL_FOR_ETD_.pdf 18489_KEM_MA_THESIS_May1__FINAL_FOR_ETD_.pdf 2025-08-13 Public Download