Link to the University of Pittsburgh Homepage
Link to the University Library System Homepage Link to the Contact Us Form

Etica, utopia e intoxicacion en Rodrigo D. No futuro y La vendedora de Rosas

Herrera, Lizardo (2009) Etica, utopia e intoxicacion en Rodrigo D. No futuro y La vendedora de Rosas. Doctoral Dissertation, University of Pittsburgh. (Unpublished)

[img]
Preview
PDF
Primary Text

Download (1MB) | Preview

Abstract

In my dissertation, I trace the representation of drug use, globalization, social marginality, and violence in the two well-known films by the Colombian director Víctor Gaviria. My approach is framed by Walter Benjamin's critical-theoretical work on the notions of "experience" and "intoxication", Gilles Deleuze's idea of "double becoming", and Giorgio Agamben's concept of "bare life." I am also concerned with what might be called the "ethical" dimension that is inherent in Gaviria's strategy (the use of "natural actors," the question of pornomiseria, etc.). These films involve what I call the "paradox of drug euphoria," this paradox, I argue, means that for those whose existence have become "bare life," in Agamben's sense of the term, using drugs is an opportunity to reassert their lives. Drugs help the central characters in Gaviria's films create a collective experience and give value to themselves and their social environments. On the other hand, global accumulation, deterritorialization (the specter of Medellín as a kind of chaotic postmodern megalopolis), and frenetic stimulation are also effects of drugs, once productive of "bare life." These destructive effects are interrupted by the utopian desire of the characters in the films, who are also "real people," not only actors representing the urban "poor". However, these fleeting moments of utopian plenitude—not unlike what Benjamin meant by "illuminations" -are interrupted in turn by the force of capitalist deterritorialization and dehumanization. Gaviria's films exist in and portray the dialectic relation between these two forces. In short, I develop the paradox of euphoria into a critique of contemporary society and a new understanding of collective experience.


Share

Citation/Export:
Social Networking:
Share |

Details

Item Type: University of Pittsburgh ETD
Status: Unpublished
Creators/Authors:
CreatorsEmailPitt UsernameORCID
Herrera, Lizardolmh27@pittedu
ETD Committee:
TitleMemberEmail AddressPitt UsernameORCID
Committee CoChairBeverley, Johnbrq@pitt.eduBRQ
Committee CoChairDuchesne, Juanduchesne@pitt.eduDUCHESNE
Committee MemberHerlinghaus, Hermannhxh@pitt.eduHXH
Committee MemberEvans, Fredevansf@duq.edu
Date: 30 September 2009
Date Type: Completion
Defense Date: 20 April 2009
Approval Date: 30 September 2009
Submission Date: 27 May 2009
Access Restriction: No restriction; Release the ETD for access worldwide immediately.
Institution: University of Pittsburgh
Schools and Programs: Dietrich School of Arts and Sciences > Hispanic Languages and Literatures
Degree: PhD - Doctor of Philosophy
Thesis Type: Doctoral Dissertation
Refereed: Yes
Uncontrolled Keywords: Etica; intoxicacion; utopia
Other ID: http://etd.library.pitt.edu/ETD/available/etd-05272009-213408/, etd-05272009-213408
Date Deposited: 10 Nov 2011 19:46
Last Modified: 15 Nov 2016 13:44
URI: http://d-scholarship.pitt.edu/id/eprint/7964

Metrics

Monthly Views for the past 3 years

Plum Analytics


Actions (login required)

View Item View Item