Link to the University of Pittsburgh Homepage
Link to the University Library System Homepage Link to the Contact Us Form

JAZZ GUITARIST JIMMY PONDER: A CASE STUDY OF CREATIVE PROCESSES AND IDENTITY FORMATION IN AMERICAN POPULAR MUSIC

Harper, Colter (2007) JAZZ GUITARIST JIMMY PONDER: A CASE STUDY OF CREATIVE PROCESSES AND IDENTITY FORMATION IN AMERICAN POPULAR MUSIC. Master's Thesis, University of Pittsburgh. (Unpublished)

[img]
Preview
PDF
Primary Text

Download (576kB) | Preview

Abstract

This study examines musical and social processes in American popular music through the creative life of Pittsburgh born jazz guitarist Jimmy Ponder. I contextualize Ponder's technical and conceptual approaches with a historical analysis of developments in jazz during the mid-20th century. In examining intersections between jazz and other popular forms of music during the 1950s, 60s, and 70s, I aim to identify Ponder's "musical identity," which encapsulates the totality of his musical existence. In this study, I focus on relating musical sounds to social contexts and the processes that give these sound meaning. Musical identity, as a tool for examining the creative life of the jazz musician, is comprised of the individual's approach to their instrument(s), recording, band leading, performance, song interpretation, and improvisation. From these approaches develops a "voice" with which the musician creates meaningful musical experiences (authentic performances) as well as engages certain social realities in public contexts (affective collective listening). Though I choose here to label Ponder as a "jazz" guitarist, a central goal of this paper is to demonstrate how his musical identity hinges on the discourse between jazz and other commercialized music born from the African-American social experience. I address such genres within the African-American musical tradition as blues, R&B, soul-jazz, and fusion and explore how Ponder negotiated contemporary musical contexts, drawing forth various stylistic elements from which he formed his "voice."


Share

Citation/Export:
Social Networking:
Share |

Details

Item Type: University of Pittsburgh ETD
Status: Unpublished
Creators/Authors:
CreatorsEmailPitt UsernameORCID
Harper, Coltercolterharper@hotmail.com
ETD Committee:
TitleMemberEmail AddressPitt UsernameORCID
Committee ChairDavis, Nathanndavis@pitt.eduNDAVIS
Committee MemberEuba, Akinaeuba@pitt.eduAEUBA
Committee MemberWeintraub, Andrewanwein@pitt.eduANWEIN
Date: 23 January 2007
Date Type: Completion
Defense Date: 30 November 2006
Approval Date: 23 January 2007
Submission Date: 30 November 2006
Access Restriction: No restriction; Release the ETD for access worldwide immediately.
Institution: University of Pittsburgh
Schools and Programs: Dietrich School of Arts and Sciences > Music
Degree: MA - Master of Arts
Thesis Type: Master's Thesis
Refereed: Yes
Uncontrolled Keywords: African-American music; History; Identity; Jazz; Jimmy Ponder
Other ID: http://etd.library.pitt.edu/ETD/available/etd-11302006-194600/, etd-11302006-194600
Date Deposited: 10 Nov 2011 20:06
Last Modified: 15 Nov 2016 13:52
URI: http://d-scholarship.pitt.edu/id/eprint/9879

Metrics

Monthly Views for the past 3 years

Plum Analytics


Actions (login required)

View Item View Item